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F O R I M M E D I A T E R E L E
A S E
Will Rogers Stampede PRCA Rodeo
http://www.willrogersstampede.com
7:30 p.m. Friday, May 28-Sunday,
May 30
For
information
(660)
254-1900
Contact Ted Harbin
imteditor@gmail.com
Bendele’s slight
of hand makes for sweet sounds of rodeo
CLAREMORE, Okla. – When Benje Bendele clicks his fingers, something
magical usually happens.
Ah, the life of the preeminent sound and effects man in Pro Rodeo. If
it happens in the arena, the speakers rumble with a complementary
sound. It’s a split-second, a click and a style that has led the
Texan to many of the biggest rodeos in North America.
“It’s been a great ride,” said Bendele, who has lent his talents the
last nine years to the Wrangler National Finals Rodeo. “Rodeos have
picked up this format. They’ve left the traditional brass bands, and
they realize that this is another aspect of the performances.”
And that’s one of the reasons he will be a major player in the three
performances of the Will Rogers Stampede PRCA Rodeo, set for 7:30
p.m. Friday, May 28, Saturday, May 29, and Sunday, May 30, at Will
Rogers Stampede Arena.
“This is a big deal for the Will Rogers Stampede to get the No. 1
sound guy in the business,” rodeo chairman David Petty said. “I’m
excited we were able to bring him to Claremore, because he adds so
much to the show. The reason he’s worked the NFR so many times is
because he’s simply the best.”
The effects and music can’t be choreographed, because the action
doesn’t allow it. But with split-second timing, Bendele finds the
right music or right sound effect to bring together that excellent
ride, fast time or explosive dismount.
“I think the thing I like about my career is being part of the way
the rodeo is watched and taken in by rodeo fans and how that’s
changed in the last 10 years,” he said. “It’s changed drastically in
the last five years. It’s just the way sporting events in general
are being seen, and we, in the rodeo business, have to keep up with
that. I’ve been part of that, part of the goal in our sport.
“It’s how our sport evolves.”
That’s something Bendele understands well. He started his rodeo
career as a contestant, then followed his passion for the sport to
the announcer’s stand and on to the sound booth. Beginning at age 9,
he competed in youth, high school and college rodeo as a team roper
and tie-down roper. He even tried his hand at bull-riding, which
lasted 15 seconds – five bulls at an average of three seconds each.
“It was then and there that I decided that bull riding was not for
me,” he said.
No matter. Bendele has used that experience and an insider’s
understanding of the extreme sport to stand out among his peers. Not
only does he work the annual championship, but he’s also been hired
to produce sound for the Houston Livestock Show & Rodeo, Calgary
Stampede, Dodge National Circuit Finals Rodeo, Dodge City (Kan.)
Round-Up Rodeo, and the tour finales in Dallas and Omaha, Neb., just
to name a few.
He’s also worked his way up the charts, so to speak, with ingenuity
and hard work. In fact, he got the NFR job while working at a rodeo
in Glens Falls, N.Y.
“I knew Shawn Davis, the general manager of the NFR, was looking for
a music guy for the Dallas event, so I called him up from a little
hotel room,” Bendele said. “I’d set up all my equipment in this
room, kind of a mini-studio, and when I called him, he asked, ‘What
can you do for me?’
“So I put on a little show. By the end of the conversation, I was
hired. I did the Dallas event, and at that point, they hired me for
the NFR.”
Bendele got his start 22 years ago when, at the age of 20, he fell
into a job while accompanying his brother to a youth rodeo. There
was no announcer available, so Bendele jumped in, and a career was
born.
“I started announcing at that time,” he said. “I worked a bunch of
youth rodeos after that, then started working some open rodeos. I
got tired of showing up to places where the sound wasn’t good, so I
bought a small sound system.
“I was getting called more for my sound, so in 2001, I made the
decision to start focusing on the sound.”
And even though his focus is on the sound, he has been voted by
other announcers to serve as their representative on the
Professional Rodeo Cowboys Association’s executive council. It’s a
position on the political side of the business he takes very
seriously and has leaned on the assistance of others, including the
late Clem McSpadden, a former statesman from Chelsea who was a
legend in rodeo.
“I did ask advice from Clem, and he gave it honestly,” Bendele said.
“I had the chance to work with Clem in Dodge City, and I enjoyed
working with him when I had the chance.”
He’s had plenty of enjoyable experiences, especially in the past 10
years. He recalls the days of not only hauling equipment into
announcer’s stands at rodeos all across this land, but hauling
cassette tapes and CDs, too. Now all the effects and music are
loaded on computers, and making updates is a regular part of his
job.
“We have to keep up with technology,” he said. “Digital is
constantly changing. Now with the computer, it’s at the touch of a
button, and there’s so much more of a variety to have.”
And whether it’s a snippet from a hip hop song or brass trumpets or
the moans of a crowd, there is a defined marriage between the action
in the arena and the sounds that accompany it. Bendele has
orchestrated the ceremony countless time, perfecting it, even.
That’s just one of the many reasons he will be in Claremore for the
Will Rogers Stampede.
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